In my designs, beads and crystals are never decorative afterthoughts.
They are integral elements of structure, composition, and visual rhythm.
Size, proportion, directionality, and fabric density all directly influence the final quality of a piece.
This guide is not about what can be used, but about why certain choices lead to better results.
Miyuki Delica Beads
Among all bead options, Miyuki Delica Beads are my primary choice.
I have tested other brands, but many are slightly larger in size, which can feel visually crowded when used on 32ct fabric, disrupting stitch balance and spacing.
Many of my designs feature continuous rows of beads.
When working on 32ct fabric (2 over 2), placing every bead may occasionally feel too dense. This is not a mistake—it is a moment that calls for design judgment.
Reducing a small number of beads is completely acceptable.
The adjustment is virtually invisible in the finished work, while the overall appearance becomes cleaner and more breathable.
For this reason, I often design bead rows using the same color to allow subtle flexibility.
Size reference:
■32ct fabric (2 over 2): approx. 1.58 mm per grid
■Miyuki Delica Beads: approx. 1.6 mm diameter
On 28ct fabric (approx. 1.81 mm per grid), this issue does not occur.
Bugle Beads & Twisted Bugle Beads
I frequently use Bugle Beads and Twisted Bugle Beads, most commonly in 3 mm and 6 mm sizes.
Both sizes perform well on 32ct fabric without stressing the structure.
■Bugle Beads offer a slimmer profile and clean linear definition.
■Twisted Bugle Beads have a slightly larger diameter and create stronger light reflection.
Used together, they add rhythm and layered visual interest.
Tila Beads
I am particularly fond of the structural effect created by Tila Beads.
They measure 5 × 5 mm, and in my designs, I reserve approximately 3.5 × 3.5 grid spaces (32ct) for their placement.
The charts clearly outline the placement boundaries for Tila Beads.
Please follow the chart markings carefully—when placed as indicated, they integrate seamlessly into the design.
The chart clearly defines the placement boundaries for each Tila bead. Please follow these markings carefully—when positioned as indicated, the beads sit naturally within the stitched structure and enhance the overall design harmony. Because Tila beads feature two holes, they align precisely with the 2nd and 7th fabric holes. Simply secure the bead to the fabric by passing the thread through these holes as illustrated in the chart.
Crystals & Pearls
Crystals are constantly evolving, with new shapes and cuts introduced each year.
The types I most frequently use include Sew-On Rhinestones, beads, and pearls.
Sew-On Rhinestones
Sew-On Rhinestones fall into two main categories:
■Two-hole rhinestones
Such as Pear Drop.
These crystals have clear directionality and are stitched through two small holes.
Direction is critical, and I always indicate it clearly in the chart.
■One-hole rhinestones
Such as Marguerite Lochrose.
They may be secured in two ways, depending on size and preference:
1.Direct attachment with transparent thread
Typically used for 3 mm crystals.
2.Attachment with an added Delica bead
Recommended for crystals 5 mm and larger, providing additional stability and refinement.
Bicone Beads
4 mm Bicone Beads are typically placed diagonally at a 45-degree angle within a 2 × 2 grid.
Maintaining consistent direction or symmetry throughout the piece is strongly recommended to preserve visual order.
Pearls
Pearls are a signature element in my work.
The most commonly used sizes are 2 mm and 3 mm, usually placed horizontally or vertically.
Elongated pearls may have directionality similar to two-hole rhinestones, which is clearly indicated in the chart.
Beading Thread
For beading and crystal work, my preferred choice is
Fujix Monocolor Transparent Thread #100 / 500 m.
It is exceptionally fine and nearly invisible in the finished piece, allowing beads and crystals to remain the true focal point.
PDF is here.
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